August 10, 2011
RIP Roman Opałka (1931-2011)
from wikipedia : “In 1965, in his studio in Warsaw, Opałka began painting a process of counting – from one to infinity. Starting in the top left-hand corner of the canvas and finishing in the bottom right-hand corner, the tiny numbers were painted in horizontal rows. Each new canvas, which the artist called a ‘detail’, took up counting where the last left off. Each ‘detail’ is the same size (196 x 135 cm), the dimension of his studio door in Warsaw. All details have the same title, “1965 / 1 – ∞”; the concept had no end, and the artist pledged his life to its execution: ‘All my work is a single thing, the description from number one to infinity. A single thing, a single life.’
Over the years there were changes to the ritual. In Opałka’s first details he painted white numbers onto a black background. In 1968 he changed to a grey background ‘because its not a symbolic colour, nor an emotional one’, and in 1972 he decided he would gradually lighten this grey background by adding 1 per cent more white to the ground with each passing detail. He expected to be painting virtually in white on white by the time he reached 7 777 777: ‘My objective is to get up to the white on white and still be alive.’”

via 1l1k3 via shamefullyinspired

RIP Roman Opałka (1931-2011)

from wikipedia : “In 1965, in his studio in Warsaw, Opałka began painting a process of counting – from one to infinity. Starting in the top left-hand corner of the canvas and finishing in the bottom right-hand corner, the tiny numbers were painted in horizontal rows. Each new canvas, which the artist called a ‘detail’, took up counting where the last left off. Each ‘detail’ is the same size (196 x 135 cm), the dimension of his studio door in Warsaw. All details have the same title, “1965 / 1 – ∞”; the concept had no end, and the artist pledged his life to its execution: ‘All my work is a single thing, the description from number one to infinity. A single thing, a single life.’

Over the years there were changes to the ritual. In Opałka’s first details he painted white numbers onto a black background. In 1968 he changed to a grey background ‘because its not a symbolic colour, nor an emotional one’, and in 1972 he decided he would gradually lighten this grey background by adding 1 per cent more white to the ground with each passing detail. He expected to be painting virtually in white on white by the time he reached 7 777 777: ‘My objective is to get up to the white on white and still be alive.’”


via 1l1k3 via shamefullyinspired

(via shamefullyinspired)